Way on the fringes of all things literary, so far out there it is in, is a magazine called Gargoyle Magazine. Celebrating a cutting edge fiction by the likes of Gail Galloway Adams, Deborah Agar, Roberta Allen, Naomi Ayala, Toby Barlow, Nicole Blackman, Jennifer Bossed, Sarah Browning, Cherie Thompson Cagier, Cathy Carlos, Laura Chester, Jan Clausen, Virginia Crawford, Quinn Dalton, James Dahl, Gillian Devereux, Jennifer K. Dick, and such musical wizards as Elena Zisimatos Auerbach, Joshua Auerbach, Jenny Badman, Abby Bardi, Eugénie Bisulco, Heather Shayne Blakeslee, Neil Boyack, Donna Denizé, Sean Thomas Dougherty, Blair Ewing, Ian Ferrier, Five & Dime, Bernadette Geyer, Janet Hamill, Greg Keeler, Sydney March, Jeffrey McDaniel, W.T. Pfefferle, Zenon Slawinski. Edited by Richard Peabody and Lucinda Ebersole and based near Washington D.C. in Arlington, Virginia, GARGOYLE MAG is considered at once the most irreverent and most revered “unslick” Washington has to offer. It reviews such works as Steven Moore’s Nympholepsy without looking back. Gargoyle magazine was founded in 1976 by Russell Cox, Richard Peabody, and Paul Pasquarella. Gargoyle is dedicated to printing work by unknown poets and fiction writers, as well as seeking out the overlooked or neglected musical genius. In some small part, Gargoyle magazine exemplifies the fact that Gargoyles, as they deconstruct and re-manifest, are certain to withstand the sands of time as human civilization continues to reinvent itself.